responsible older sister

        Now the men pull down with great exaggerated heaves on the slickened, gleaming ropes, first one then the other, as Patty screams, tip-toeing first forward then back.  Only her big toes and second toes touch the floor now.  Jill adds a little “sweat”.  Seiku and Hikaru are impressed.  It’s very convincing, and it’s all due to Patty.  She had told them that in most of their “hook films” the rope at times was obviously slack, and this was due to the men playing it safe as far as how hard they could pull.  It is better for the girl herself to tell them, so they won’t have to guess.  Patty has designed a signal system with her pinky toes, which are wiggling in the air and free to move.  The left foot is for Jin, the right for Takeru.  Extending the toe towards the tormentor means he can pull harder, extending it away means to back off a little.  So during the hook filming, at no point does either rope appear slack.  In fact one can see the girl’s pelvis tilt forward (as the anal hook is raised) or backward (if the vaginal hook is raised).  The hooks are always fully “seated” deep within her, the ropes always taut.

        Patty has strong, well-practiced toes and can stay “half-suspended” for ten minutes.  After a short break, during which the men let go and Jill massages her feet, they continue.  This time the nipple “stretcher” is attached.  Jin smiles as he works the wingnut and Patty’s “nipples” are stretched grotesquely far out from her chest.  Then he twists and Patty screams.  More sweat is added until the sheen covers her whole naked body.

        It is at this point, during the sweating naked girl’s “dire distress”, that Patty’s cell phone rings.  She curses under her breath and “unties” her hands as Jill brings the phone over.  She has told everyone that due to “family circumstances” she can’t turn it off.  Still on tiptoe, she listens and gasps out some words.  “No, Mrs. Jefferson, it’s -- at ten.  P - pick them up at -- our house.  I’m sure the kids will -- be o.k.  Unghh!”  Takeru has absently switched hands on the rope; Patty can feel the slightest motion deep in her rectum.  “S - sorry.  Remember -- Robbie c - can’t eat -- pea - peanuts.  Th - thanks for inviting him.  Say happy -- birthday to -- G - georgene.”

        “S - sorry.”  With the phone put away they are ready for the “climax” of the scene.  Jin, after a final “twist”, removes the nipple apparatus.  Jill has added blush to Patty’s (real) nipples to make them look inflamed.  Then Jin, working from a red jar, paints some “hot sauce” on them.  This results in the loudest screams of the session.  In fact it’s ketchup and if anything feels soothing.  But Patty is a quick learner and a great screamer.

        Now, finally, Patty is let down onto flat bare feet, and the hooks taken out.  The camera zeroes in on her still-opened lower lips, and behind, her still-opened anus.  The crew’s applause, when she drops to the floor, arms and legs splayed at crazy angles, will be dubbed out.  She smiles a weary smile for the camera, a “prisoner” who has not “cracked”, a strong girl who knows she can’t be defeated.